A Living History

My Broadway

← Gallery X

An argument, not a summary

Politics

Who Gets to Write the National Story?

Politics

Who Gets to Write the National Story? Politics appears throughout musical theater, sometimes where audiences least expect it. 1776 turns the drafting of the Declaration of Independence into political drama. Its Founding Fathers argue, compromise, negotiate, stall, and trade support. Decades later, Hamilton returns to America's founding mythology but changes its theatrical language completely. Hip-hop, R&B, pop, and race-conscious casting transform eighteenth-century political history into a conversation with twenty-first-century America. Assassins approaches politics from the opposite direction. Instead of celebrating presidents, it places people who attempted to kill them at the center. The musical examines alienation, entitlement, celebrity, and the darker side of the American promise. And Suffs shifts attention from presidents to activists struggling to change the political system from outside it. Together, these musicals demonstrate that political history is not simply about elections or presidents. It is about who has power, who wants it, who is excluded from it, and who gets remembered afterward.

Productions in this argument

The evidence